Time will make you..or it won't. You find yourself in fallen, failing light. All the mystery is in the here and now. This cloth, woven from green and red, gold and green. Each thing has its season. And now is winter.
In this last year it seems as if a hundred years have passed by in a flash. What is left of my old life seems like an inscrutable mystery to me. And now the shadows have lengthened and become more distinct I find myself wondering if there are only these islands of the heart that remain...
You find yourself more alone than you could have imagined. So much time has flowed under the bridge..the old stone bridge itself, Tu Fu might say, is nothing but a dazzling moment under the eye of heaven, a dim reflection of some other place and time that we witness darkly. The days of our lives like the days of the world now...
And so now your relationship is to one of absences. The past has not disappeared but changed shape and lives within you now in a different way...
Loss: the point becomes a circle, the line a square; what grows in me day by day is my own diminishment. A part of me wants to cling on to the idol of the old days since the path that has now opened up before me leads who knows where? And who would this "you" be then? I have become a question to myself...
I need to weave fragments of texts, sentences that spontaneously emerge, into my thoughts as a way of establishing some kind of continuity; either that or face the prospect of silence, of coming to terms with the lack of words for the way I'm feeling. What kind of place is this...
There's that scene from Offshore where the tide turns and objects slide, move about, swap positions. Nothing's steady anymore against these interruptions that weave their way into a life. Thinking understands the limits of thinking and ceases to be 'thinking'. Like Drummer Hodge you're now a northerner living under a strange southern star. Or maybe that star, north by northwest, continues to flow glistening darkly like the Roding in its season of despair. How to find a sense of being at home in your homelessness...
This song reminds you so much of a time of your life that is so distant and yet, weirdly, all the more real for existing on the borders of your consciousness. You can't name it but it drifts your way...
You've been drifting for so long. Perhaps you need to be truer to this de-centering before "the drift find the drifter"?
When told by the doctors that nothing more could be done the swami, citing Knulp, said: "The desire to sleep overcomes all other desires." Only she could have said that, half wanting to communicate her feelings and half wanting to remain a mystery.
One of those 'strange reversals' (Rumi). For so long you'd asked not to become religious and now you find yourself willing but unable! Taste and see!, said the poet. And yet the words of poets and novelists mean much less to me, strangely superficial..a shallow form of intelligence. Was I the only one who didn't grow up?
These lines by Hadot deeply affected me: Cut out everything; welcome everything. Familiar -at one level-to any Muslim. The question, as always, at what level?
Too try and grow into simplicity. To be less, to speak less in the time that remains. But to speak is to allow stilled time to flow again. 'Allow' suggests too much agency when you know it's otherwise. Does it make any sense now to ask where?
There is just one thing I can say- and maybe it's all I've got left:
I don't know why you loved this song so much but I do as well. The music, like everything else, all seems like from such a very long time ago now. Life is a strange and mysterious dream. You would say, of course, that it's also a beautiful dream. But right now it doesn't feel like that, Ubo.
I am silent here, even here, on this other shore. The drift of the world is within me and I am within the drift of the world. Offshore..the moon moves an inch, the tides turn, the flow of life is reversed. The things once loved now pass me by; what was inconsequential now seems everything. Formed by so many grey skies and ghosts from old cities, your face reflected on the train window, shimmering in its ephemeral moment under a dying winter afternoon. Am I only walking in a dream under this pale light? And who am I then?
Some white people talk a lot of shit about black music and rap and nihilism; or they want to harp on about how Dylan is deep or about how classical music is profound, the pinnacle of civilisation. What they never want to talk about is how soulful black music is. And that's because they've never truly understood that music isn't tribal.
Let your self go, man. You been perched up there a long time, bro' Let England shake, I don't give a damn. Every white artist that dies is a genius, a lyrical, misunderstood prophet against his age. Let go and let equilibrium be restored. When night comes it's just me & you. The prison walls fall. The black sun shines, but you can't see it. Loss holds us in circles -- broken.
The end of summer was like no other day. There was no time for farewells, no space to give time to what the heart had stored. The main door was left open, the gate flung back; indecision and haste wrapped around you. The moment which you breeze through without a proper accounting for-as if there ever could be one! Through the porthole, back to this inner chamber. The light flickers, falters, and then fails. The great summer sun of your days in the open are over. All that remains are eyes that are narrower, less reliable, and hands that have darkened with time.
The term has come to an abrupt end. Look back not in anger but in bewilderment. Was that time passing, not passing? Enter the marks. Do the needful, as they say around here, and be gone. You weren't really here anyway. I don't know, each year of your life becomes more unreal.
Antique Sound There was an age where you played records with ordinary steel needles which grew blunt
and damaged the grooves or with more expensive stylus tips said to be tungsten or diamond which wore down the records and the music receded but a friend and I had it on persuasive authority that the best thing was a dry thorn of the right kind and I knew where to find those off to the left of the Kingston Pike in the shallow swale that once had been forest and had grown back into a scrubby wilderness alive with an earthly choir of crickets blackbirds finches crows jays the breathing of voles raccoons rabbits foxes the breeze in the thickets the thorn bushes humming a high polyphony all long gone since to improvement but while that fine dissonance was in tune we rode out on bicycles to break off dry thorn branches picking the thorns and we took back the harvest and listened to Beethoven’s Rassoumoffsky quartets echoed from the end of a thorn.
Well, if you haven't gone to Bob's wonderful blog (link: "a music box" on my main page, what on earth have you been doing?!) Not all things musical but an outstanding source of the weird and the wonderful. What strikes one about his blog is just how open he is to differences (I'd say the mysterious). Anyway, here's another of his recommendations.
No new ways to be new, as Frost said. I think that’s a reasonably good statement. There’s nothing new under the sun, sayeth the preacher. All the rivers run into the sea, yet the sea is not full. I think more circularly than linearly. I don’t think there are beginnings and destinations so much as circles that end by closing and starting over again. --Stegner, Paris Review.