A shadow on the wall
boughs stirred by the noonday wind
that’s enough earth
and for the eye
enough celestial participation.
How much further do you want to go? Refuse
the bossy insistence
of new impressions—
lie there still,
behold your own fields,
your estate,
dwelling especially
on the poppies,
unforgettable
because they transported the summer—
where did it go?
---G. Benn
~~
The summer is over, the storms grow, and your coffee doesn't taste right. Retreat, as far as you can go, to the very heart of the poppy seed, perhaps? We speak a darkness between us.
This image was brought to you...
The world, as sponsored by...
In 1956, two years before Arendt's Human Condition, Gunther Anders wrote a prescient essay describing the beginnings of a "phantom world". This is before the 'society of the spectacle' as well. In the article he talks about the mass production of "hermits" for whom the world will be brought to their private living rooms. This "phantom" world, always half-absent, the stage of representations, images, background banter and music..always brought to you with the express intent of rooting us to the spot, of making us consumers of images and therefore our own producers of a mass, isolated self.
The political ramifications of the loss of the public world, of the ability to act in the world, would be spelled out by Arendt. The loss of speech that comes about when we're beholden to the manufactured image has, of course, political consequences: thoughtlessness and speechlessness.
~~~
~~
The summer is over, the storms grow, and your coffee doesn't taste right. Retreat, as far as you can go, to the very heart of the poppy seed, perhaps? We speak a darkness between us.
This image was brought to you...
The world, as sponsored by...
In 1956, two years before Arendt's Human Condition, Gunther Anders wrote a prescient essay describing the beginnings of a "phantom world". This is before the 'society of the spectacle' as well. In the article he talks about the mass production of "hermits" for whom the world will be brought to their private living rooms. This "phantom" world, always half-absent, the stage of representations, images, background banter and music..always brought to you with the express intent of rooting us to the spot, of making us consumers of images and therefore our own producers of a mass, isolated self.
The political ramifications of the loss of the public world, of the ability to act in the world, would be spelled out by Arendt. The loss of speech that comes about when we're beholden to the manufactured image has, of course, political consequences: thoughtlessness and speechlessness.
~~~
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