Here Ingold is referring to two kinds of toolkits: the'learner's toolkit' on his computer (which is represented by three icons: a disembodied head with headphones; a mobile phone; and a face with sunglasses) and his own 'toolkit': a pencil, a pair of glasses and a notebook.
"Comparing the two toolkits says much about the difference between the idea of learning, as it is increasingly understood today, and the idea of study I have advanced here. The iconic triptych of headphones, screen and shades paints to my mind a frightening picture of the idealised learner as currently conceived in a state-of-the-art, IT-obsessed educational environment. The learner of the toolkit appears to be an isolated individual, securely locked in and shielded from any sensory contact with the surroundings – from light by shades, from sound by phones (the head has no nose for scent, and being just a head, lacks hands to feel). This individual is completely immobile, but also placeless: indeed the blurb that accompanies the toolkit makes much of the fact that it is accessible on line, anywhere, anytime. But while blind and deaf to others, and to the world, our learner is fed with a continual stream of information, downloaded from remote sources into his head: visually, from the screen of his smart-phone; aurally through the phones that cover his ears. What kind of learning is this, which calls for no productive effort on the part of the learner, nor even for his presence, which replaces the teacher by a programme, which severs head from body, mind from world, and immunises the learner from the potentially corrupting effects of any disturbance from outside by means of a protective shield? In recent decades it has given rise to an entire industry, complete with its legions of providers, brands and watchwords. Biesta calls the industry ‘learnification’, a word whose sheer ugliness reflects his abhorrence of that to which it refers."
To affirm the wonder of pencils! That makes me feel ancient but also realize that I don't care.
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