But are the lines a coming together or a falling apart, the slow drift of the world? From the neutral's perspective they are infinitely different, existing in their own world without each other, something of the mirror-like quality of parallel lines remaining with them, like a memory. From the outside the right angle is perfection. But from the inside, that blank inside space, there is a kind of freedom from such conceptualisations. The right angle is not an intellectual construct, and even less is it about orthodoxy and heresy. An emotion, a fundamental gesture, that creates a living, breathing space. And though all other angles are a variation of, a falling away from the right angle, they are contained within it's loving embrace.
Tangent:
I will touch you once
And it will only be in passing
No use calling me back
No use reminding
You will have plenty of time
To rehearse and remember
This moment,
To convince yourself
We'll never part.
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